4th May 2015, Stripes Publishing, 192 pages, Paperback, Review copy
Content: nastiness, cruelty, hope, humour
Summary from Little Tiger Press
Elspeth Hart and the School for Show-offs is the first
adventure featuring the fabulous Elspeth Hart, a modern heroine with
doodles on her trainers and unstoppable determination.
Can you imagine never being allowed to play outside, dear reader? How about sleeping in a wardrobe every night? That’s what life is like for Elspeth Hart.
Ever since her parents were tragically washed away in a flood, poor Elspeth has been forced to live with her disgusting aunt, Miss Crabb, in the attic of the Pandora Pants School for Show-offs. Elspeth spends her days sweeping up mouse droppings, washing filthy pots and dodging Tatiana Firensky, the most horrible show-off of all.
But what Elspeth doesn’t know is that things are about to change…
Nayu's thoughts
I
confess to liking the sound of the story more because I like the name
Elspeth than for watching Elspeth initially suffer in such a
horrendous school. I promise it is far worse than it sounds, and the
things which Elspeth sees, hears and has to do made me want to scoop
her up and carry her to safety. Elspeth is intelligent, and is able
to take advantage of situations as they present themselves which
culminate in a totally unexpected ending which leaves a lot of
anticipation for book 2 in this new series.
Events were described in
such a way I could almost taste the vile food which students had to
eat, and I'm glad that generally scratch and sniff pages are kept out
of books. Elspeth discovers friendship in unexpected allies, I got to
witness some truly evil characters plot horrendous acts which so
shouted out 'I want to take over the world and be a horrible
dictator'. The illustrations made all the characters personalities
seem more realistic, and made me gasp and sigh as I happily read this
horrifyingly fun read.
Find out more on the dedicated website.
Guest Blog Post by Sarah Forbes
Nayu here! It's with great pleasure to present Sarah chatting more about this first in what is/will be an ace series. Thank you Sarah for such a fun read & letting us peek into your mind boarding school stories are the best!
I
wish I knew exactly where I got the inspiration for Elspeth
Hart and the School of Show-offs,
but I’m not entirely sure how I came up with the idea. Years ago, I
had a notion that I wanted to write about a little girl whose parents
owned a sweet shop or sweet factory… but the book ended up being
set almost completely in a strange old boarding school!
I
reckon the boarding school setting came in some part from growing up
on a diet of school stories: I loved boarding school books like
Mallory Towers, St Clare’s and Trebizon, and even obscure old
series like Dimsie Goes to School, which were first published in the
1920s, but for some reason were still available in my local library
in the 1980s. Isn’t it funny that school stories have stayed so
popular? I guess a boarding school is such a good starting point for
a story: lots of kids, no parents, and despite the teachers, plenty
of scope for getting into trouble or solving mysteries…
When
I started writing about the School for Show-offs I knew I wanted the
school to be decrepit and in the middle of nowhere, with a horrible
villain at the centre of it – that turned out to be Miss Crabb, who
is Chief Cook at the school and regularly bulks up recipes with slugs
and cockroaches. And I liked the idea of the other students being
really dramatic and over the top, in contrast to Elspeth Hart, who is
quite quiet. So many main characters are bold and strong, and that’s
brilliant, but I wanted to begin with a little girl who was quite
polite, maybe a bit timid – but who gets stronger and tougher as
the story goes on. Once I had all that in my head, I was away!
The
second book is set on a luxury cruise liner making its way from
Southampton to New York, so that was lots of fun to write. (Hmm, now
I think about it, I probably should have gone on a luxury cruise…
just for research purposes, of course!) The nice thing about writing
larger-than-life villains like Miss Crabb and her sidekick Gladys
Goulash is that you never know quite what they will do or where they
will go next. Watch this space..!
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